Monica Rothschild-Boros, an art appreciation and cultural anthropology instructor at Orange Coast College, uses a combination of embedded lecture questions, threaded discussion, and innovative assignments to engage students and get them to think critically in her online courses.
Use of rubrics in higher education is comparatively recent. These grading aids that communicate “expectations for an assignment by listing the criteria or what counts, and describing levels of quality from excellent to poor” (p. 435) are being used to assess a variety of assignments such as literature reviews, reflective writings, bibliographies, oral presentations, critical thinking, portfolios, and projects. They are also being used across a range of disciplines, but so far the number of faculty using them remains small.
Too often our students consider their work in the classroom as required assignments—not work that has anything to do with what they will be doing in the real world. Oh, maybe they are picking up some skills they might use in their future employment, but that’s about it. As teachers, how do we get students to understand that the work they do in our classes—such as team projects, community service, technical papers, and even research—is relevant to what they will be doing after they graduate? How do we encourage them to keep their materials and use them to validate their work as students? I think I have an answer. Teaching an e-portfolio capstone course for several years has given me a perspective that I believe should be the framework for validating student learning outcomes across all institutions of higher education.
Many labels have been applied to the current generation of college students, many of them disparaging: lazy, distracted, aimless, needy, greedy, and self-absorbed. Some of the emerging adults who populate college classrooms earn these labels with their classroom behaviors and mediocre performance. However, within most men and women who are 18-22 years old, there is a capacity for greater things.
ScreenChomp is a free, yet highly intuitive and powerful app that you and your students can quickly master. To use ScreenChomp you simply touch the record button; draw on the whiteboard using the available pen or markers; and provide a running narrative. ScreenChomp records your voice and drawing and then allows you to upload your creation to ScreenChomp.com. After uploading your project, you will be provided with a link which you can share via e-mail, Twitter, or on the clipboard. Nothing could be easier than that!
I had a most interesting experience last summer. I have taught college composition for many years, but I had not participated in a writing workshop as a writer for a long time. Of course, I had regularly run workshops in my classroom. But this time, I had written a short, 600-word essay, and it was workshopped (which to those of us in composition means reviewed and critiqued) by my peers as part of a larger in-service on curiosity and writing.
When the workshop was finished, I turned to a fellow English professor and said, “So that’s how it’s supposed to be done!”
Higher education institutions generate a wealth of data that can be used to improve student success, but often the volume of data and lack of analysis prevent this data from having the impact it could have. “I think it’s hard for the general faculty population or administrator population to really have a handle on the data that is really driving decisions,” says Margaret Martin, Title III director and sociology professor at Eastern Connecticut State University. “They don’t get a chance to see it or they just get very infrequent information about it. So there may be too much data, but it’s often not communicated effectively to people in ways that are both understandable and useful to them.”
Teaching online is a rewarding experience; but any instructor who makes the transition to online education, thinking it will be easier and less time-consuming than face-to-face classroom teaching, is in for a big surprise! Establishing a regular presence in the online classroom, grading assignments and discussions, and maintaining records and notes from term to term are all time consuming – but essential – tasks. Learning to take care of the details of online teaching more efficiently makes it possible to be more effective in your teaching. The following is an abbreviated version of guidance I provide to new instructors about ways to keep their course files organized, students engaged, and workload manageable.
You have to admire scholars willing to look at 40 years of research on any topic, and this particular review is useful to faculty interested in understanding the role of humor in education. It starts with definitions, functions, and theories of humor. It identifies a wide range of different types of humor. It reviews empirical findings, including the all-important question of whether using humor helps students learn. And finally, this 30-page review concludes with concrete advice and suggestions for future research. It’s one of those articles that belong in even modest instructional libraries—imagine having to track down the better-than-100 references in the bibliography.
Capstone courses are now a requirement in many departments, programs, and college curricula. They vary across different dimensions, indicating that although their value is universally recognized, they share few common features. For starters, they are offered at various levels; at the department level for students in a particular major, at the college level, say, for students in engineering, and at the university level as a general education integrative experience.